As a form of Augmented Reality, TOP3D REAL-SET is a revolutionary method to overlay and integrate synthetic images along with real ones. In essence, graphics and data can be presented in various innovative and novel ways, and interacted with real characters, thereby displaying data and information in a very attractive and spectacular manner. Along with TOP3D-SET Virtual Studio system, TOP3D REAL-SET's compelling solutions have provided Virtual and Augmented Reality for television programs, election coverage, entertainment shows and stage performances, streamlined production workflow, enhanced viewer experience, and improved overall production value.
TOP3D REAL-SET Virtual Studio system supports single / multi cameras, single / multi channels, multi-to-single / single-to-single architectures, covers all formats of video signal including HD SDI, SD SDI, HDMI, YUV,Y/C, COMPOSITE, as well as their various combinations.
TOP3D REAL-SET provides a package of camera tracking solutions to meet the needs and budgets of any production, namely, pedestal-based camera tracking (manually controlled camera or remotely controlled camera by electric-driving pedestal or robotic pedestal), infrared 3-meter-crane tracking, robotic crane tracking, and opto-mechanical 8-meter-crane tracking. The full range of camera tracking solutions can be easily and seamlessly integrated with one another to address the particular need of any studio. Meanwhile, TOP3D REAL-SET adopts a scalable system which provides a basic configuration with easy upgrade path.
Accurate and prompt camera tracking is a fundamental process essential for Augmented Reality productions. TOP3D REAL-SET's opto-mechanical 8-meter-crane tracking offers great flexibility and possibility in the application of Augmented Reality productions. Taking advantage of its unique algorithm, the opto-mechanical 8-meter-crane tracking solution is able to achieve a high accuracy and precision, allowing extreme close up shots even in long distances and swift camera motions, which is predominantly useful for stage performances.
All the tracking devices and systems can be installed just by one click of the button, which makes TOP3D REAL-SET one of the most flexible and easy-to-use virtual studio sets. Even when the camera is moved to implement the need of different programs, the tracking systems can be used simultaneously with no need of any measurement and adjustment.
TOP3D REAL-SET adopts the drag and drop operation, the operator controls graphics, content and animation, as well as their combinations, enabling complete user interface flexibility.
TOP3D REAL-SET features the fastest, the most stable and the most powerful rendering engine able to achieve 16x anti-aliasing rendering capabilities and unrivalled graphic quality, catering for the real time graphic rendering needs of any Virtual Studio production requirement and budget.
All the parameters of the color and the luminance of the virtual light can be set at will and edited based on the time-line. Magnificent special effects such as rain, snow, clouds, reflection, shadow, environment mapping and bump mapping can be achieved easily.
The play of all the animations and the editing of properties can be controlled automatically based on the time-line or by the Live Control module or by the combination of the two ways.
●Multiple unique insertions of 3D graphic objects, animations, live video feeds and video clips into conventional studios, stages and outdoor productions
●Offers the fastest, the most stable and powerful rendering engine which is able to achieve 16x anti-aliasing rendering capabilities and unrivalled graphic quality
●Provides a full range of camera tracking solutions, supports 360-degree shooting range with pedestal or crane based camera tracking. The accuracy and precision of camera tracking can be ensured even when using 8-meter-crane tracking system under fast motion situation.
●Features ingenious instant self-adaptive initial setup technology, allowing minimal setup time and calibration as well as free camera movement
●The dimensions of the virtual 3D scenes do not need to match that of the backing box
●Supports all formats of video signal such as HD SDI, SD SDI, HDMI, YUV, Y/C, COMPOSITE, and their combinations
●Supports single / multi cameras, single / multi channels, multi-to-single / single-to-single architectures
●A scalable block building construction facilitates the replacement and update of each device and system, as well as maintains the value and extends the utilizing duration of the studio
●User-friendly interface with powerful function, intuitive gallery with rich content
FG signal input: HD SDI, SD SDI
BG signal input: HD SDI, SD SDI
Signal output: HD SDI, SD SDI
Format:
HD SDI: 1080/50i, 59.94i, 60i; 720/50p, 59.94p, 60p
SD SDI: 525/60 or 625/50
Standard:
HD SDI: 1.48Gbps, SMPTE 292M
SD SDI: 270MGbps, SMPTE 259M
Synchronous reference: Digital SDI, analog black burst bi-level or tri-level
FG signal input: HD SDI, SD SDI, HDMI
BG signal input: HD SDI, SD SDI
Signal output: HD SDI, SD SDI
Format:
HDMI
HD SDI: 1080/50i, 59.94i, 60i; 720/50p, 59.94p, 60p
SD SDI: 525/60 or 625/50
Standard: HDMI: 1.3Gbps
HD SDI: 1.48Gbps, SMPTE 292M
SD SDI: 270MGbps, SMPTE 259M
Synchronous reference: Digital SDI, analog black burst bi-level or tri-level
FG signal input: SD SDI / YCrCb
BG signal input: SD SDI / YCrCb
Signal output: SD SDI / YCrCb
Format:
SD SDI: 525/60 or 625/50
Y:1 VP-P (75Ω terminal, with synchronization)
Cr , Cb:0.7 VP-P (75Ω, terminal)
Standard: SD SDI:270MGbps, SMPTE 259M YCrCb: PAL (ITU-R BT.470), NTSC (SMPTE 170M)
Synchronous reference: Analog black burst bi-level or tri-level
FG signal input: SD SDI, HDMI
BG signal input: SD SDI, YCrCb, COMPOSITE, Y/C
Signal output: SD SDI, YCrCb, COMPOSITE, Y/C
Format: HDMI SD SDI: 525/60 or 625/50 Y: 1 VP-P (75Ω terminal with synchronization) CR, CB: 0.7 VP-P (75Ω terminal)
Standard: HDMI: 1.3Gbps SD SDI: 270MGbps, SMPTE 259M YCrCb: PAL (ITU-R BT.470), NTSC (SMPTE 170M)
Synchronous reference: Digital SDI, analog black burst bi-level or tri-level
FG signal input: YCrCb, Y/C
BG signal input: YCrCb, Y/C
Signal output: YCrCb, Y/C
Format: Y: 1 VP-P (75Ω terminal with synchronization)
Cr,Cb: 0.7 VP-P (75Ω terminal)
Standard: YCrCb: PAL (ITU-R BT.470), NTSC (SMPTE 170M)
Synchronous reference: Analog black burst bi-level or tri-level
FG signal input: HDMI
BG signal input: HD SDI, SD SDI
Signal output: HD SDI, SD SDI
Format:
HDMI, the internal protocol can be set as 480i, 480p (including16:9 format), 576i, 576p, 720p, 1080i, 1080p
HD SDI: 1080/50i, 59.94i, 60i, 720/50p, 59.94p, 60p
SD SDI: 525/60 or 625/50
Standard: HDMI: 1.3Gbps HD SDI: 1.48Gbps, SMPTE 292M SD SDI: 270MGbps, SMPTE 259M
Synchronous reference: Analog black burst bi-level or tri-level
FG signal input: HDMI
BG signal input: SD SDI, YCrCb, COMPOSITE
Signal output: SD SDI, YCrCb, COMPOSITE
Format:
HDMI, the internal protocol can be set as 480i, 480p (including16:9 format), 576i, 576p
SD SDI: 525/60 or 625/50
Y:1 VP-P (75Ω terminal with synchronization)
Cr,Cb: 0.7 VP-P (75Ω terminal)
Standard: HDMI: 1.3Gbps SD SDI: 270MGbps, SMPTE 259M
YCrCb: PAL (ITU-R BT.470), NTSC (SMPTE 170M)
Synchronous reference: Analog black burst bi-level or tri-level
FG signal input: HDMI
BG signal input: YCrCb, Y/C, COMPOSITE
Signal output: YCrCb, Y/C, COMPOSITE
Format: HDMI, the internal protocol can be set as 480i, 480p (including16:9 format), 576i, 576p
Standard: HDMI: 1.3Gbps
YCrCb: PAL (ITU-R BT.470), NTSC (SMPTE 170M)
Synchronous reference: Analog black burst bi-level or tri-level
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